Sunday, May 1, 2016

The Jan & Dean Record - "Here We Go": Original Music Charts and Scores from Jan Berry's Personal Collection, 1961-1969


"Here We Go": Original Music Charts and Scores from Jan Berry's Personal Collection, 1961-1969

The Jan & Dean Record by Mark A.  Moore

Appendix B of the book features a list of authentic music charts and scores used by studio musicians (the Wrecking Crew) to record the original music in the 1960s, and for select live performances.

The list identifies the instrumentation used for each song. For example:

The Anaheim, Azusa & Cucamonga Sewing Circle, Book Review and Timing Association

Trumpet; French Horn; Oboe; Bassoon; Guitars 1-3 (including Rhythm, Danelectro "Bellzoukie" 12-String, and Danelectro 6-String Bass); Basses 1-2 (including Fender); Drums (2 Full Sets); Piano (Tack); Harpsichord; Percussion (Timpani, Bells)

Instrument-specific instructions noted on the score and charts:

Dano 6-String Bass: "Jan & Dean Usual"; Basses: "Fender Take Top Notes" (on octaves)

The Jan & Dean Record by Mark A. Moore. Foreword by Brian Wilson.

Monday, April 25, 2016

Enter to Win a Free Autographed Copy of "The Jan & Dean Record"



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The Jan & Dean Record by Mark A.  Moore

The Jan & Dean Record

by Mark A. Moore

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Sunday, December 20, 2015

The Jan & Dean Record



The Jan & Dean Record: A Chronology of Studio Sessions, Live Performances, and Chart Positions

By Mark A. Moore
Foreword by Brian Wilson

McFarland & Co., 2016

168 photos and illustrations; discography; appendices; bibliography; song index; general index; softcover; 454 pages; 8.5" x 11"

This is Jan Berry's biography. The book chronicles Jan’s career as a songwriter and arranger—and his tenure as producer for Jan & Dean and other acts—with day-by-day entries detailing recording sessions, single and album releases, concerts and appearances, film and television projects, behind-the-scenes business and legal matters, chart positions and more. Biographical detail and extensive commentary from Berry’s family, friends and colleagues is included. Studio invoices, contract details, tape box notes, copyright information and other particulars shed light on how music was made in the Hollywood studio system of the 1960s. If you're a fan of the Wrecking Crew, this book is for you.

Also included are full details of Jan's 1966 automobile accident and his return to the recording studio one year later.

Biggest hits: Jennie Lee, Baby Talk, We Go Together, Heart and Soul, Linda, Surf City, Honolulu Lulu, Drag City, Dead Man's Curve, The New Girl In School, The Little Old Lady (from Pasadena), Ride the Wild Surf, Sidewalk Surfin', You Really Know How To Hurt a Guy, I Found a Girl, Popsicle

Biggest albums: Drag City, Surf City and Other Swingin' Cities, Ride the Wild Surf, The Little Old Lady from Pasadena, Command Performance/Live In Person

Film and Television: Surf Scene; The TAMI Show; Easy Come, Easy Go; On the Run

*****


McFarland's Book Page: 
http://www.mcfarlandbooks.com/book-2.php?id=978-0-7864-9812-3

Print & Internet Media — Request Review Copies Here:
http://www.mcfarlandbooks.com/about-mcfarland/contact-us/publicity-inquiries/

Amazon.com (U.S.): 
http://www.amazon.com/Jan-Dean-Record-Chronology-Performances/dp/0786498129/

Amazon.com (U.K.):
http://www.amazon.co.uk/Jan-Dean-Record-Chronology-Performances/dp/0786498129/

Facebook: 
https://www.facebook.com/jananddeanrecord

Information for Booksellers (Discount Policy):
http://www.mcfarlandbooks.com/customers/for-booksellers/

Video: 
https://youtu.be/Axg7TeGoR1s

*****

The book is largely based on extensive primary source documentation, but it is fleshed out by commentary from various family members, colleagues, and friends. Many of these people are listed below (but there are also quotes from various others, and information from others in summary form).

JAN BERRY

DEAN TORRENCE

FAMILY: Bill Berry (father), Brian Berry (brother), Clara Berry (mother), Ken Berry (brother), Luana Berry (sister), Jan-Erik Mustad (cousin)

SCHOOLMATES: Dr. Vic Amira, Bob Conley, Sandra Ellsworth, Melanie Block Gottlieb, Tim Naegele, Diane Sappenfield, Dr. Steve Schonfield, Nancy Sinatra, Ernie Wiley

THE BARONS: Ron Kiino, John Seligman, John Venable

CREATIVE ASSOCIATES: Lou Adler, Dr. Don Altfeld, Steve Barri, Roger Christian, Vic Diaz, Jill Gibson, Arnie Ginsburg, Artie Kornfeld, Rob Kuropatwa, Joe Lubin, Jim Pewter, P. F. Sloan, Tom Sumner, George Tipton, Fred Wieder, Brian Wilson, Alan Wolfson

MUSICIANS: Frankie Avalon, Tom Bahler, Hal Blaine, Glen Campbell, Mike Deasy, Micky Dolenz, John Grove, Ron Hicklin, Cliff Hugo, Peter Hume, Al Jardine, Ron Jeffrey, Bruce Johnston, Davy Jones, Carol Kaye, Brian Kilgore, Mike Kowalski, David Loe, Mike Love, Joe Middler, David Marks, Joe Osborn, Earl Palmer, Don Peake, John Pierce, Don Randi, Marilyn Wilson Rutherford, Rick Schlosser, Sid Sharp, Billy Strange, Tommy Tedesco, Pete Townshend, Don Zirilli

ENGINEERS: Dayton "Bones" Howe, Harold "Lanky" Linstrot, Mark Wolfson

INDUSTRY ASSOCIATES: Alvin Bennett, Buzz Cason, Pierre Cossette, Kim Fowley, David Horowitz, Steve Kugel, Stan Oliver, Don Podolor, Irwin Z. Robinson, Gunther Schiff, Fred Vail, Murry Wilson

FILM and TELEVISION: Steve Binder, Dick Clark, Richard Compton, Bruce Davison, Richard Hatch, Lew Irwin, Paul Morantz, Bo Svenson, Dalene Young

MEDIA: Greil Marcus, Dave Marsh, Dougal Butler, Pamela Des Barres

THERAPY and MEDICAL: Vivian Sheehan, Sandy Ward, Dr. Robert Waters, Various Medical Professionals

FRIENDS and ACQUAINTANCES: Bruce Abrams, Jeanette Andersen, Michael Barry, Brian Bruderlin, Jean Stout Burke, Suzanne Graeber, Stuart Hersh, Pam MacGregor, Mitsuru Ondo, Cameron Michael Parkes, Scott Paton, Denise Shannon, Michael Steinberg